Recorded in the South Of England at the end of their 2013 European Tour, Avian Thug is the third studio album by jazz-rock ensemble Naked Truth, after Shizaru in 2011 and Ouroboros in 2012.
Founded by Italian bassist, producer composer and Lorenzo Feliciati, Naked Truth sees Graham Haynes resuming his role as trumpet/cornet player, Roy Powell man the Hammond organ, analog synths and prepared piano and finally Pat Mastelotto deliver his usual energy on acoustic and electric drums and percussion.
Avian Thug develops its themes across seven compositions, stretching from intensely furious electric jazz cavalcades, whose ancestry can be traced back both to Miles’ electric work but also more recent European progressive jazz and progressive rock, to extended soundscapes, whose colors are reminiscent of the work of Jon Hassell or Nils Petter Molvaer.
Over the last four years, Naked Truth’s writing style has become progressively more incisive and focused, aided by the very tight co-production work of Lorenzo Feliciati and Bill Laswell, who also is responsible for the final mix of Avian Thug. Graham Haynes’ trumpet tone has acquired clarity and expressiveness, Feliciati’s bass work is now more essential as are Powell’s presdigitations on analog keyboards and prepared piano, supported by Mastelotto’s polyrhythmic ever inventive and powerful electronic and acoustic drum and percussion work.
Naked Truth’s music was always recognizable as erupting from a magmatic cauldron of inventions; with Avian Thug it reaches a new maturity where instrumental prowess and poetic insight are tightly knit into a vigorous but balanced weave of form and substance.
credits
released January 22, 2016
Graham Haynes : Trumpet and Electronics
Lorenzo Feliciati : Basses, Guitars, Keys
Roy Powell : Electric Keyboards, Analog Synths, Organ, Prepared Piano.
Pat Mastelotto : Acoustic and Electric Drums and Percussion.
1. Rapid fire
2. Lazy elephant
3. Trap door
4. Tense shaman
5. Avian thug
6. Day two at bedlam
7. Moon at noon
Composed, arranged and performed by Naked Truth
Published by RareNoisePublishing (PRS)
Produced by Lorenzo Feliciati and Bill Laswell
Recorded end of 2013 at Yellowfish Studios, East Sussex, UK
Additional recording at Pat’s Worm Hole, Dripping Springs, USA
Mixed by Bill Laswell at Orange Studios, NJ
Mastered by Mike Fossenkemper at TurtleTone Studios, NYC
Artwork and Design by ROK
Executive Producer for RareNoiseRecords : Giacomo Bruzzo
At first listen, the juxtaposition of Sonar's rhythmic constructions and Torn's soaring, furious/tender voice would by themselves be enough of a pull. But digging beyond the surface will reward the listener greatly. There is great depth, emotional nuance, intrigue and change, rewarding repeated listening. Ref: Miles/80's Crim/Tibbetts, but this is truly new music. grate ape
On the first track, the Kronos Quartet plays a composition Stephan Thelen wrote for it. Kronos is and for a long time has been my favorite for contemporary art music. It is very selective about what it chooses to perform, and everything it chooses to perform is well worth listening to. The other three tracks are also superb Thelen compositions, here performed superbly by the Al Pari Quartet. John Simms
Another set of impossibly slick jams from an Aussie outfit who bathe disco-inspired rhythms in funky synths and psychedelic textures. Bandcamp New & Notable Mar 3, 2024
UK jazz-rock icons pay tribute to British trumpeter Harry Beckett in the second entry in My Only Desire Records’ Brit Jazz 45s series. Bandcamp New & Notable Feb 1, 2024
Trumpeter Harry Spencer’s orchestral modern jazz has cinematic scope, inspired here by dissidents throughout history. Bandcamp New & Notable Oct 3, 2023
This is an amazing recording both musically and technically capturing some amazing musicians playing together to leave us something of wonder daveappleton